Squires Castle

I took a walk around Squires Castle today and, as always, it felt magical.
The castle and surrounding park and woods are one of my favorite places. Add in a beautiful Fall day and it’s glorious.

Back in 2019, I worked close to the castle, so I often rushed there for lunch to work on my Chuck book (available via ScoutMediabookandmusic/amazon and many other places.) in fact, I wrote the ending of the book there and redid the start of it as well.

But, going way, way, way further back, I was reminded today of another tie I have to Squire’s Castle: in the fall of 1096 (30 years ago!) I started writing a screenplay and the climax was meant to happen at squire’s castle.

The script wasn’t great…I mean, I was a 17 year old kid who had never read a screenplay before, writing in a genre (fantasy/horror) that I knew nothing about, but…to pat myself on the back, I worked hard on it through the fall and almost every waking moment of winter break that year.

As I wrote, I talked to various folks about working on the film. First up was Steve Gnall, who was a year behind me at school. He and his friends had been making short films in the woods and he had experience with makeup and special effects. He actually asked to direct and I was excited, since I had no idea what all went into directing/filming. We transferred the script on a disk (the 90s, am I right?!) to his computer and he and I did some editing. He pointed out some huge mistakes and made vast improvements with an outside eye/experience/common sense, but still I’m sure if I read it, I’d feel embarassed.

The general story idea was that a good natured, aloof rock band guy got mixed up in a fight against an evil entity using a crazed killer as a vessel on Earth and he had to put a stop to it.

Budget? Zero.

I asked a guy named Damien Perry, vocalist/guitarist from Red Giant, to play the main character. I gave him the script and he said he was in, but noticed I spelled his name wrong throughout the entire script…y’see, the main character’s name was Damian…

For the bad guy, I enlisted a former bandmate in Skipline of my brother’s, Mark Hunter. He knew horror films and how to play intense and dark. He jumped on board and came over to Steve’s house for production meetings and offered feedback and a dose of reality to keep us moving forward.

There was a homeless person who showed up throughout the script, who was revealed as a guardian angel at the end. I pitched the idea to a cook that passed me by at a restaurant, Chuck Mosley, who also happened to be an idol of mine. He was curious and open to the idea, though I didn’t know how close to homeless he was at the time, making him leery of portraying that onscreen. I don’t think I talked to him again until September of 1997, but I had forgotten about this meeting and pitch until sifting back through memories of “the movie.” Is it 100% accurate? I’ll admit it’s fuzzy, but we’re going to roll with it, okay?

The killer, Mark, was being influenced and guided by a devil-type evil character, so I approached a man best-known in Cleveland at the time for wearing a devil mask onstage with his band Mushroomhead. Jeffrey Hatrix was super cool and excited about the idea, even if it was a random pitch from a nerdy kid at a concert. He gave me his contact info and I kept my promise not to share it with anyone.

With the main cast in place, I spoke to other folks and to bands about creating music for the film. It was winter now, so no chance of filming for months. I mapped out some locations, Steve showed me some of the crazy cool stuff he could do with fake blood and a manequinn’s head. I tweaked the screenplay more to incorporate what I knew of the actors and toned down some (but not nearly enough) of the action and effects needed to shoot with no resources.

I approached my brother, who lived in Cincinnati to play a role…he said:

Since the part was written with him in mind and the character’s name was Craig, this became the first big blow to my master plan. I did not know any other Craigs.

At school, I was a senior, and my guidance counselor mentioned that after the first semester, I’d have enough credits to graduate early, if I wanted.

I wanted.

My nights were spent working at Wendy’s and a local pizza place that Mark also worked at, so we could talk about the movie while washing dishes in between deliveries…that is, when he wasn’t spraying me with the pressurized water hose.

My days were spent at school, working on the script/locations/props list…and schoolwork? I also fit in the occasional nap.

I kept my headphones on and walkman blasting at all times….1996 soundtrack: ministry filth pig, mr bungle disco volante, mushroomhead superbuick, and any and all faith no more, excluding We Care A Lot, their debut. Why? In the Summer of 1996 I had gone with my parents to San Fransisco and found a copy of the rare CD in a bargain bin, but I didn’t have a CD player until the next Summer.

January was a blur of work and school and concerts and, oh, my car broke down at least 17 times. I graduated at the end of the month. My dad took me to Florida for a few days to celebrate, staying with my cousin, John, who worked at Disney’s animal kingdom at the time.

I had signed up to go to broadcasting school, starting in February, so it was right back to school when I returned, but first…

Mark and Steve wanted to meet to discuss the movie.

They had been talking and had various reasons for not continuing with the project and they were both backing away. I was caught off guard and crushed. I didn’t know how unrealistic my plans were and, again, the script probably was bad… but I had put a lot of time and effort and thought there was a way to make it work.

I started broadcasting school, still working at Wendy’s and the pizza shop, and started interning in a promotions department for a company that ran 3 radio stations. I went to try out for a band, but backed out before singing as nerves got the best of me…really disappointing and stupid of me.

I wrote a few short stories, but kept thinking about that script. I reached out to Steve to get a copy, but he said his computer had crashed and he had lost it. All I had were some handwritten notes and part of an old copy we had printed out. I set it aside and didn’t attempt another screenplay for almost 30 years.

So, here I am, walking around Squires Castle, where good and evil were set to take place in an epic struggle with zero budget, where I was a groomsman at a wedding, where I wrote part of a book about a guy I wanted to play a bum in a movie, where I got lost in the woods once and hiked in circles for hours, where I filmed bits of footage that would appear in a video by The Firmary, where every time I go I say I need to come back more often.

In 1999, my band, Fromanadly played a show with Steve’s band, the Lucky Strikes and Mark’s band, Chimaira…we didn’t discuss the movie, but I like to think they regretted not sticking with it since their music careers were going nowhere 🙂

In 2015/2016/2017 I toured with Chuck as his conga player, recorded with him on the Indoria record You’ll Never Make The Six, recorded conga on his first solo record which was engineered by Matt Wallace at his L.A. studio, and lost my friend to addiction six days after our last concert.

In 2019, I acted in a movie with Jeffrey Hatrix called Dwellers by Drew Fortier. Watching Jeffrey perform his monologue was frightening and amazing, a highlight of dipping into acting.

Damien Perry and I have still not worked together…Wtf?! though he was a guest on a local music internet radio show I hosted for a few years. Also, at once time, there was a sticker for his band The Great Iron Snake and one for my band The Firmary on the toilet at The Foundry Concert Club. I have a photo, but it’s not the correct format for this website, so you’ll just have to see it on my phone when I see you next.

This November 13th 2026, my brother’s old band will reunite for one last hurrah at the Globe Iron. Their first non-post break-up half-planned show since they were a working band in 1995/1996.

I still haven’t found my way since those early days of creative wanderings, but I can say I’ve been involved in a lot of really cool stuff. I don’t think I could write anything as ambitious as that first attempt, but I also know I’m too stubborn to stop trying.

In the meantime, I push forward. I plan. I plot. I sing. I write. I act. Every so often, I return to Squires Castle to allow myself some reflecting on the past.

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Debut Screening of The Obsidian Mirror coming soon.

word is spreading about the debut and I’m as excited as everyone else to see the final film. Details direct from the director and producer:

We’re getting closer to premiere night!

On Saturday, November 14, 2026, The Obsidian Mirror will make its big-screen premiere at the historic Canton Palace Theatre in Canton, Ohio, and we would love for you to join us for this very special evening.

THE OBSIDIAN MIRROR – PREMIERE EVENT

Saturday, November 14, 2026
Canton Palace Theatre
605 Market Avenue North
Canton, OH 44702

6:00 PM – Doors Open & Red Carpet Event
7:00 PM – Film Screening
Q&A with Cast & Crew following the film

This premiere marks the culmination of years of work by an incredible group of filmmakers, cast, crew, supporters, and local businesses who helped bring The Obsidian Mirror to life.

We’re looking forward to celebrating that journey together—with a red carpet event, the film presented on the big screen, and a special Q&A with members of the cast and crew following the screening.

Reserve your tickets here:

https://obsidianmirrorfilm.com/premiere

EARLY BIRD SPECIAL: Use promo code EARLYBIRD at checkout to receive 10% OFF your tickets.

If you’ve been planning to attend, now is a great time to reserve your seats and invite your friends and family to join you.

Come spend an evening at one of Ohio’s most beautiful historic theaters and help us celebrate an independent feature film made right here in Ohio.

We hope to see you at the Palace!

Adam Deierling & Vinny Sisson
Producers – The Obsidian Mirror

www.obsidianmirrorfilm.com

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Audition Query

So, this year, I had decided to put myself out there more on the acting side of things. I wanted to work with new people in new cities. Due to my work/life schedule, I targeted day player roles. I auditioned for several things, way more than I had in the past, and learned a lot (mostly, I learned how much I don’t know about auditioning). I found some success and had some crushing failures, but overall I enjoyed the process far more than I expected.

One of the faults in my plan of working more abroad is that it makes day player roles harder to budget and plan for due to many productions having such a short lead time, leaving me no time to get off work. One role, would’ve been great, up in Detroit, but they had to re-schedule the shoot 2 times and the third time, I was unable to make the trip. The extra bummer was I was offered another role that i had to turn down, but ultimately could’ve done it since the Detroit one got rescheduled.

Felt like a double gut-punch.

But, I’m looking at this year already as a success and a much needed audit on how I feel about acting and what my next steps should include. Those of you that know me and my complete lack of planning are laughing and, I guess, I’m chuckling too. We both know I’m simply going to stumble and fumble my way forward as always.

On the music front, The Firmary has a song coming out on October 2nd, which will appear on the soundtrack for Bunker Heights (out October 13th). It’s a song i’ve wanted to record for a long time called Dear Ndugu (anyone know the inspiration for the title?). Joshua is still recovering from his motorcycle accident, so William and Adam handled the music, me on vocals.

I do appear in a lottery commercial for the state of West Virginia…that was a lot of fun to shoot, but i didn’t take many photos as we worked through the night. If I find any, I’ll add them. Here are a few random self-tape auditions from this year:

Back in March, I took the family to a convention in Cincinnati, Oh to see a screening of Bunker Heights and we stopped at the Dayton Airforce museum since my son loves planes.

SO, tell me about your self-tape auditioning process…what equipment, lighting, backdrop etc. do you use/prefer? Do you have a separate slate to tack on to your auditions? I guess I need to start following the rules at some point.

Maybe.

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The Obsidian Mirror Trailer

Last Fall, I reteamed up with the main forces that brought you The Other Side of Darkness for a coming of age paranormal thriller, The Obsidian Mirror. The trailer drops today and I wanted to raise awareness and talk a bit about my experience.

Adam and Vinny reached out a year prior to ask me to read over a new script. It was exciting and ambitious. It featured 4 teen leads facing a horrible darkness. I connected right away as it gave me throwback, 80s, Spielberg vibes. But, I had no idea how they could pull off onscreen what was committed to paper.

Over the course of several drafts, they honed the story into fighting shape without losing the intensity, the mystique, or the charm, but I still had no idea how they’d pull it off.

Eventually, they floated the idea of me taking on a role and I agreed immediately. Having watched them work on The Other Side of Darkness, I knew it would be cool to get on that set, even if only for a couple of days. Turns out, the role was expanded and I got to watch a lot of really talented people up close and learn a ton.

Adam and Vinny are releasing the first trailer/images/website/merch today at obsidianmirrorfilm.com and I’m asking y’all to not only go watch the trailer, but if you dig it, please please please share it on your socialmedias to help word of mouth. The cast and crew worked hard and don’t have a big promo budget or PR people to raise awareness.

I’ll have more info and photos and stories as we get closer to the release of the movie, but for now I don’t want to share any visuals that production hasn’t shared first. Stop reading and go check out the website when it launches at noon today!

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See Yourself In – the making of a short film

A few years back I had a wack-a-doo idea for a short film that showed the same 15 seconds of a man walking across the screen over the course of years as two people talked on a bench off screen. I began filming my dad, Robert Esper, walking the same little area: sun, rain, snow, sleet or whatever else the world threw at us. He was patient, willing, and showed up whenever asked (for those of you who know how busy my parents stay, you’ll understand). When we started I had almost no equipment aside from a third-hand HD camera and a 5th-hand vintage lens that apparently had survived wars, I didn’t have lighting/audio equipment, no script, and I had no idea how to capture decent footage.

As we shot, I imagined things the people on the bench might be saying, and decided they were co-workers and the man walking was their boss. Though he ran this huge company, he didn’t dress or act like a billionaire. He was kind, compassionate, and generous. The very land he walked through was a nature preserve and park he protected via a huge donation and named the place after his wife, who had passed away.

I bought a few lenses and learned some basic tips, but still I was mostly pointing and shooting at the mercy of the weather and availability. I made every rookie mistake you can make, while inventing a few new ones (I’m an overachiever, you see). One of the biggest mistakes was erasing a data card before the footage was completely transferred, so I lost a few days worth of walking/sweating/planning/shots from the main walking area as well as from a few hours spent at a local city park, shooting my dad traveling around for the intro of the movie.

During all this time, I asked a few folks to act as the two people on the bench, but I was embarrassed/worried/unsure of myself and my abilities and nervous at getting someone to commit multiple days for a film that might end up terrible. I found the first piece of the puzzle in John Cesa, a smart, funny comedian in the area, who went to college with my wife and who had directed a short of his own back then that she acted in.

I explained the concept and told John that most/all of the dialogue would be improvised and then chopped up to match the length of shots of my dad waling. Coming from improv comedy groups, he had more experience than most in handling that situation. John jumped on board, but waited and waited and waited as I kept telling him I was getting closer to ready to shoot.

I found a location near his job, but struggled to find the second person to accompany him. I wanted to add diversity to the cast (age, race, gender), so I limited my search and eliminated myself from getting cast in my own short.

A chance meeting on the set of a short film, being produced by a CSU student on their campus, led me to meet an awesome actor, who I thought perfect for the role. He and I discussed the story and as a guy trying to make his first demo reel, he came on board with excitement.

Winter was coming to a close and I wanted to get some shots of the two men talking on the bench with snow falling, just in case I needed something to intersperse with my dad-walking footage. I scheduled a lunch meetup at a park in Parma.

I set up my camera, some props, and some outfit changes to help sell the time lapse element. John showed up, ready to role. The other guy called and canceled about 15 minutes after we were supposed to start… I didn’t want to waste the efforts or waste John’s time, so I pressed record on my camera and on my digital recorder and we spent about an hour freezing and chatting. John was great and solidified what a solid pick he was.

But I didn’t like what I brought to the table.

The bummer was that within a week the snow cleared, a rainstorm came through, and then a heat wave, so we could’ve simulated all 4 seasons by shooting 2-3 times that week or the next.

I challenged myself to write an actual script and when I got into it, I found the process fun and exciting. Carving out an actual narrative from such an abstract idea proved a necessary step in making the original concept gel.

By 2025, I had a lot of footage of my dad, a script, an actor, and a general idea how it could all come together. I enrolled my wife into playing the third part. She has a theater background and has been involved in some films as well (check her out in Dwellers and Bunker Heights).

Knowing my limitations, I hired Ryan Freeman to run sound and scheduled 4 hours to complete the rest (all of the dialogue shots) of my film. We gathered at a small park area near my house and got rolling. One camera, one lens, on boom mic, and snacks. (a tasty lunch too).

Everyone involved was cool and helpful as I navigated my first time “directing”. We got about 92.4% done of what I wanted, which was more than I expected. I bribed my daughter to come play a small role about 2 weeks later to film one last scene. I couldn’t ask Ryan to waste a day driving across town for it, so I grabbed a mic and ran audio myself as I shot.

Using DaVinci Resolve (teaching myself as I went), I dumped the footage in and began splicing/slicing/dicing/dragging/cutting the narrative into shape. I reached out to David Mansbach, one of the most talented musician on the planet and he allowed me to use a few of his songs during the film, heightening the intro, the montage, and the credits.

I designed a cover, cut a trailer, and submitted to 8-10 film fests. Thus far, we have won 3 awards, 2 honorable mentions, and got positive fedback. A few festivals didn’t select it, and we have 2 more that haven’t decided yet, but…we are getting a foot of snow today and many are stuck at home bored, so i’m thinking, why not throw it out into the world today to help pass the time?

Aside from lunch, snacks, and hiring Ryan the film had a budget of zero and while you can easily tell, I feel pretty damn proud of what we were able to accomplish. I don’t know if the film is what I expected or wanted, but I am beyond thrilled that it became something and it can be out in the world.

SEE YOURSELF IN is my debut short film and I hope you’ll carve out 12 minutes at some point to watch it. Thanks to everyone involved, like the extras: Vanessa, Owen, Mom, Craig, Amber, Coco, Skyler. If you don’t blink you’ll also meet Calvin Lucas Esper, our puppy we added to the family back in August, captured in the last bit of filming my dad did for the picture.

I have several other short scripts in the hopper, but now I know enough to know when to call in the cavalry, so if you’ve ever wanted to help on a project, drop me a line and let’s make something. Stay warm.

Here is where you can watch SEE YOURSELF IN:

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